A Little Blue Book of Rose Stories by Peter Straub

A Little Blue Book of Rose Stories by Peter Straub

Author:Peter Straub [Straub, Peter]
Language: eng
Format: epub
Tags: mystery fiction
Publisher: Crossroad Press
Published: 2020-07-04T00:00:00+00:00


The Juniper Tree

It is a school yard in my Midwest of empty lots, waving green and brilliant with tiger lilies, of ugly new “ranch” houses set down in rows in glistening clay, of treeless avenues cooking in the sun. Our school yard is black asphalt—on June days, patches of the asphalt loosen and stick like gum to the soles of our high-top basketball shoes.

Most of the playground is black empty space from which heat radiates up like the wavery images on the screen of a faulty television set. Tall wire mesh surrounds it. A new boy named Paul is standing beside me.

Though it is now nearly the final month of the semester, Paul came to us, carroty-haired, pale-eyed, too shy to ask even the whereabouts of the lavatory, only six weeks ago. The lessons baffle him, and his Southern accent is a fatal error of style. The popular students broadcast in hushed, giggling whispers the terrible news that Paul “talks like a nigger.” Their voices are almost awed—they are conscious of the enormity of what they are saying, of the enormity of its consequences.

Paul is wearing a brilliant red shirt too heavy, too enveloping, for the weather. He and I stand in the shade at the rear of the school, before the cream-colored brick wall in which is placed at eye level a newly broken window of pebbly green glass reinforced with strands of copper wire. At our feet is a little scatter of green, edible-looking pebbles. The pebbles dig into the soles of our shoes, too hard to shatter against the softer asphalt. Paul is singing to me in his slow, lilting voice that he will never have friends in this school. I put my foot down on one of the green candy pebbles and feel it push up, hard as a bullet, against my foot. “Children are so cruel,” Paul casually sings. I think of sliding the pebble of broken glass across my throat, slicing myself wide open to let death in.

Paul did not return to school in the fall. His father, who had beaten a man to death down in Mississippi, had been arrested while leaving a movie theater near my house named the Orpheum-Oriental. Paul’s father had taken his family to see an Esther Williams movie costarring Fernando Lamas, and when they came out, their mouths raw from salty popcorn, the baby’s hands sticky with spilled Coca-Cola, the police were waiting for them. They were Mississippi people, and I think of Paul now, seated at a desk on a floor of an office building in Jackson filled with men like him at desks: his tie perfectly knotted, a good shine on his cordovan shoes, a necessary but unconscious restraint in the set of his mouth.

In those days I used to spend whole days in the Orpheum-Oriental.

I was seven. I held within me the idea of a disappearance like Paul’s, of never having to be seen again. Of being an absence, a shadow, a place where something no longer visible used to be.



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